{"id":5219,"date":"2019-04-19T12:53:55","date_gmt":"2019-04-19T10:53:55","guid":{"rendered":"https:\/\/grupo-organistrum.com\/andres-gaos-alban-berg-e-vaughan-williams\/"},"modified":"2022-04-20T15:43:54","modified_gmt":"2022-04-20T13:43:54","slug":"andres-gaos-alban-berg-e-vaughan-williams","status":"publish","type":"post","link":"https:\/\/grupo-organistrum.com\/gl\/andres-gaos-alban-berg-e-vaughan-williams\/","title":{"rendered":"Andr\u00e9s Gaos, Alban Berg e Vaughan Williams"},"content":{"rendered":"
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Andr\u00e9s Gaos, en ano de relevante importancia, contar\u00e1 con tres obras no concerto de hoxe coa \u201c RFG\u201d, baixo a direcci\u00f3n de Rub\u00e9n Gimeno, no Auditorio de Galicia-20\u00b430 h.- e con sesi\u00f3n previa de \u201cConversando con\u2026\u201d-19\u00b445-, co propio mestre, contando coa participaci\u00f3n de Joam Trillo e Montserrat Capel\u00e1n. Dous das obras, ter\u00e1n o seu correspondente solista, a violinista Birgit Kolar e a mezzosoprano Marta Infante. Birgit Kolar disp\u00f3n dun \u201cCarlo Bergonzi\u201d de 1723, foi concertino da \u201cOu. Bruckner\u201d de Linz e fundadora do \u201c Seraphin Quartet Wien\u201d. Andr\u00e9s Gaos, comezar\u00e1 por unha obra moi de repertorio, como \u00e9 a \u201cImpresi\u00f3n nocturna\u201d, para instrumentos de cordas e que contou con edici\u00f3ns, a versi\u00f3n que X. M. Carreira, confiada \u00e1 \u201c OSG\u201d, e a de Joam Trillo, que nos tempos da \u201c Xoven Orquestra de Galicia\u201d, puido seguirse ata a desaparici\u00f3n da mesma, ademais da afeita da \u201c RFG\u201d. Existe, ademais da orquestral, unha manuscrita en reduci\u00f3n de piano, realizada polo propio autor. Gaos apreci\u00e1baa ata o extremo de solicitar que fose interpretada no seu velorio, en opini\u00f3n do seu fillo Gaos Guillochon, quen en carta a Ramiro Cartelle, confesar\u00eda que \u00e9 un poema sinf\u00f3nico para orquestra de cordas composto en 1937, e que estrear\u00eda coa \u201cOrquestra Lamoureux\u201d de Par\u00eds, con motivo da \u201cExposici\u00f3n Internacional de M\u00fasica\u201d. Xullo Andrade Malde, ampl\u00eda con respecto \u00e1 importancia da apreciaci\u00f3n no seu fillo Gaos Guillochon, que reflicte nunhas breves palabras as caracter\u00edsticas m\u00e1is acusadas da obra e o seu efecto que produce no o\u00ednte: \u201cPermanente cromatismo e harmon\u00eda extremadamente densa e complexa. Envolve ao o\u00ednte nun fluctuante ondular melanc\u00f3lico e o extas\u00eda nunha doce tristeza que enternece case ata o pranto\u201d. Para Ramiro Cartelle, \u00e9 obra de amplo e intenso contido emocional, ao Rachmaninoff. Harmon\u00eda complexa e de ampla distribuci\u00f3n, frecuente en Gaos. Unha obra tripartita, provista dunha coda e colmada de indicaci\u00f3ns: Pouco pi\u00f9 mosso; Pi\u00f9 calmo; Sempre calmo, etc\u2026
\nNe menor prestancia m\u00f3stranos a canci\u00f3n \u201cRosa de Abril\u201d- para a que gozaremos da voz da mezzo Marta Infante-, e que acompa\u00f1ar\u00e1 a \u201d Au point du jour\u201d, \u201cA rose\u201d, \u201c Fleur\u201d e Premier printemps!\u201d, cuxa primeira edici\u00f3n co\u00f1ecer\u00edase na revista \u201cBonaval\u201d (Santiago, 1979), para recuperar unha segunda en 1990, revisada por Xoan M. Carreira. O texto, de dominio p\u00fablico, pertence aos \u201dCantares galegos\u201d de Rosal\u00eda Castro, Obra p\u00f3stuma, abordada no \u00faltimo ano da s\u00faa vida e que chegou a interpretar unha amiga de Luisa Guillochon, para a cal se dispuxo dunha traduci\u00f3n ao castel\u00e1n. O autor usou un s\u00f3 pentagrama para a li\u00f1a de canto e a man dereita do piano. D\u00faas versi\u00f3ns merecen consideraci\u00f3n, a da soprano Laura Alonso, con Manuel Burgueras, ao piano e a de \u00c1ngeles Brancas, con Miguel Zanetti. Polas caracter\u00edsticas da peza, obs\u00e9rvase unha extensi\u00f3n asumible, moi propia para unha soprano l\u00edrica, dram\u00e1tica ou para unha mezzosoprano, pola virtude da s\u00faa tesitura m\u00e1is ben central. En esencia, apr\u00e9ciase pola s\u00faa delicadeza expresiva e sinxeleza estrutural, que nos traslada \u00e1s s\u00faas primeiras canci\u00f3ns. O outono pasado, a mezzo Iria Cuevas, con Afasto Amoedo, ofreceron no Paraninfo d\u00e1 Universidade, un recital con canci\u00f3ns de Gaos, entre as que se atopaban \u201cRosa de Abril\u201d, \u201cA rose\u201d, \u201c Premier printemps!\u201d, entre outras.
\nGaos \u00e9 autor da \u00f3pera Amor vedado\u201d, que se estrutura nun acto e sete escenas e cuxa edici\u00f3n actual \u00e9 de Joam Trilho- 2009-, por encargo do \u201cConsorcio para a Promoci\u00f3n da M\u00fasica\u201d, do Concello da Coru\u00f1a, cuxo estrea se realizou en versi\u00f3n de concerto en outubro de 2009, no Palacio da \u00d3pera, dentro dun concerto extraordinario, con a\u201d OSG\u201d, dirixida por V\u00edctor Pablo P\u00e9rez, coa soprano Marta Matheu, o tenor Albert Montserrat e o bar\u00edtono J. Antonio L\u00f3pez, nunha sesi\u00f3n que inclu\u00edu a \u201cSuite \u00e1 antiga\u201d, para orquestra de arcos e a \u201dFantas\u00eda para viol\u00edn e orquestra\u201d, con Massimo Spadano. Destacan na \u00f3pera algunhas pasaxes instrumentais.
\nVaughan Williams cunha p\u00e1xina popular, a \u201cFantas\u00eda sobre un tema de Thomas Tallis\u201d, escrita en principio para cuarteto de corda e dobre orquestra de cordas, produto dun encargo do \u201c Three Choirs Festival\u201d, de Gloucester e que se deu a co\u00f1ecer na catedral da cidade, dirixida polo autor. Destaca pola escritura realzada con sonoridades de amplitudes catedralicias, con efectos dinamizadores en arco, xogo de quintas paralelas nos baixos e unha destacada polifon\u00eda. Cada unha das secci\u00f3ns, remite a un material previo tomado dunha melod\u00eda. Do compositor ingl\u00e9s, tivemos na tempada a \u201cSinfon\u00eda n\u00ba 5, en Re M.\u201d e \u201cA London Symphony (Sinfon\u00eda Londres n\u00ba 2, en Sol M.\u201d
\nAlban Berg co \u201cConcerto para viol\u00edn (\u00c1 memoria dun anxo)\u201d- solista Birgit Kolar, composto en memoria de Manon, a filla de Walter Gropius, falecida con 18 anos e que se resolve en dous tempos, cuxa parte de viol\u00edn pretende lembrar a beleza da ausente, en contraste coas \u00e1speras explosi\u00f3ns da orquestra (como evocaci\u00f3n da proximidade da morte). Un segundo movemento que fai un conmovedor uso dunha melod\u00eda popular, completando con extasiadas variaci\u00f3ns sobre o coral \u201c\u00c9 ist genun\u201d (Xa basta), emparellando a harmonizaci\u00f3n bachiana cos modismos do propio Alban Berg. Este concerto para viol\u00edn, estreouse p\u00f3stumamente o 19 de abril de 1936, con motivo do \u201cFestival da SIMC\u201d , en Barcelona, coa pantasma do horror desatado polo fat\u00eddico alzamento ao virar a esquina.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n

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LER A NOVA COMPLETA<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Andr\u00e9s Gaos, en ano de relevante importancia, contar\u00e1 con tres obras no concerto de hoxe coa \u201c RFG\u201d, baixo a direcci\u00f3n de Rub\u00e9n Gimeno, no Auditorio de Galicia-20\u00b430 h.- e con sesi\u00f3n previa de \u201cConversando con\u2026\u201d-19\u00b445-, co propio mestre, contando coa participaci\u00f3n de Joam Trillo e Montserrat Capel\u00e1n. Dous das obras, ter\u00e1n o seu correspondente … Ler m\u00e1is<\/a><\/p>\n","protected":false},"author":1,"featured_media":6388,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[159,154],"tags":[],"class_list":["post-5219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerto-conferencia","category-fondo-andres-gaos-usc"],"acf":[],"yoast_head":"\nAndr\u00e9s Gaos, Alban Berg e Vaughan Williams - Organistrum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/grupo-organistrum.com\/gl\/andres-gaos-alban-berg-e-vaughan-williams\/\" \/>\n<meta property=\"og:locale\" content=\"gl_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Andr\u00e9s Gaos, Alban Berg e Vaughan Williams - Organistrum\" \/>\n<meta property=\"og:description\" content=\"Andr\u00e9s Gaos, en ano de relevante importancia, contar\u00e1 con tres obras no concerto de hoxe coa \u201c RFG\u201d, baixo a direcci\u00f3n de Rub\u00e9n Gimeno, no Auditorio de Galicia-20\u00b430 h.- e con sesi\u00f3n previa de \u201cConversando con\u2026\u201d-19\u00b445-, co propio mestre, contando coa participaci\u00f3n de Joam Trillo e Montserrat Capel\u00e1n. 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