{"id":5242,"date":"2018-11-29T15:30:51","date_gmt":"2018-11-29T14:30:51","guid":{"rendered":"https:\/\/grupo-organistrum.com\/a-mezzo-iria-cuevas-co-pianista-alejo-amoedo-no-ano-gaos\/"},"modified":"2022-04-20T15:43:55","modified_gmt":"2022-04-20T13:43:55","slug":"a-mezzo-iria-cuevas-co-pianista-alejo-amoedo-no-ano-gaos","status":"publish","type":"post","link":"https:\/\/grupo-organistrum.com\/gl\/a-mezzo-iria-cuevas-co-pianista-alejo-amoedo-no-ano-gaos\/","title":{"rendered":"A mezzo Iria Cuevas co pianista Alejo Amoedo, no \u201cAno Gaos\u201d"},"content":{"rendered":"
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Acto de presentaci\u00f3n dedicado ao compositor Andr\u00e9s Gaos, cunha recepci\u00f3n na aula 12, da \u201c Facultade de Xeograf\u00eda e Historia\u201d-19.30- antes do concerto que poderemos seguir no Paraninfo d\u00e1 Universidade, dedicado \u00e1s canci\u00f3ns de Andr\u00e9s Gaos, das que ser\u00e1n int\u00e9rpretes a mezzo Iria Cuevas, acompa\u00f1ada polo pianista Afasto Amoedo.<\/p>\n

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Iria obtivo o T\u00edtulo Superior de M\u00fasica, na especialidade de canto, baixo a tutela de Teresa Novoa. Asistiu a cursos de interpretaci\u00f3n vocal impartidos polo mestre Miguel Zanetti, unha das autoridades nestas especialialidades, tam\u00e9n con Jorge Robaina, Ant\u00f3n Garc\u00eda Abril, Isabel Penagos- nos \u201cCursos Ou.I. de M\u00fasica en Compostela\u201d-, Daniella Pastorello ou Thomas Busch, en Mantua. Foi premiada en 2011 coa \u201cMenci\u00f3n de Honra\u201d, no concurso organizado pola \u201cConseller\u00eda de Cultura e Educaci\u00f3n d\u00e1 Xunta de Galicia\u201d, en colaboraci\u00f3n coa \u201cFundaci\u00f3n Paideia\u201d, que far\u00eda posible a gravaci\u00f3n do rexistro \u201c M\u00e9lodies\u201d, con Afasto Amoedo. Afasto Amoedo, un dos nosos m\u00e1is dotados repertoristas, foi alumno de Jes\u00fas Fern\u00e1ndez Yepes e Josefa Estarque, nas especialidades de piano e m\u00fasica de c\u00e1mara, coas mellores cualificaci\u00f3ns. Miguel Zanetti, contrib\u00fao a forxar a s\u00faa carreira interpretativa, no espazo de acompa\u00f1amento. Estreou obras dos nosos compositores m\u00e1is representativos e para exemplo, o triplo cd \u201c Antolox\u00eda de Compositores Galegos\u201d, en colaboraci\u00f3n co clarinetista Asterio Leiva, editado por \u201c Ouvirmos\u201d. Co trompetista Rub\u00e9n Sime\u00f3, realizou traballos importantes \u201cVirtuosismo barroco\u201d e \u201d Trumpet Contemporary\u201d. Outra das achegas destacables do d\u00fao, foi o concerto dedicado a V\u00edctor Sainz Armesto, no seu centenario.<\/p>\n

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As obras elixidas para esta homenaxe, comezar\u00e1n con \u201cA rosa\u201d (a rose), sobre un poema de Hans C. Andersen, na que hai unha absoluta correspondencia entre o texto e o canto. Estamos ante unha poes\u00eda propicia dentro do x\u00e9nero afrancesado da \u201c m\u00e9lodie\u201d, moi \u00e1 vez coas pezas de mocidade. Poder\u00e1n destacarse como lembro as versi\u00f3ns de M\u00aa Teresa do Castelo, con Pablo Ferre\u00f1o e a do tenor Jos\u00e9 Antonio Campo, con Severino Ortiz.<\/p>\n

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\u201c Paix Supr\u00eame\u201d, sobre un texto de Goethe, def\u00ednese como un \u201cromance pour chant et piano\u201d, que encabezaba na s\u00faa portada unha dedicatoria a Camille Saint- Sa\u00ebns. Para dar r\u00e9plica musical ao sereno poema de Goethe- como nos di Xullo Andrade Malde-, Gaos sit\u00faa a vocalidad no rexistro central da corda. Iso fai que a obra resulte moi conveniente para voces medias. O piano, renuncia practicamente \u00e1s oitavas m\u00e1is elevadas e en cambio explota amplamente as graves.<\/p>\n

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\u201cPremiers Printemps\u201d, foi publicada na \u201cRevista Musical\u201d de Montevideo, coa canci\u00f3n \u201cA Rose\u201d. A caracter\u00edstica do texto atopa a s\u00faa l\u00f3xica correspondencia cunha m\u00fasica intimista e l\u00edrica, que expresa nobres sentimentos. O aire \u00e9 moderado, con algunhas indicaci\u00f3ns din\u00e1micas escasas. O poema en si mesmo, \u00e9 correcto tanto desde o punto de vista estrutural como na linguaxe utilizada. Estamos ante unha composici\u00f3n primeriza, propia dun adolescente que manifesta unha sensibilidade sorprendente, nas proximidades do que para os consagrados ao \u201cLied\u201d, definen como \u201c sehnsucht\u201d.<\/p>\n

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\u201cO Dadivoso\u201d, \u00e9 unha peza con texto do propio Gaos. Resulta unha canci\u00f3n alegre e desenfadada, e na s\u00faa m\u00fasica \u00e9 interesante destacar o ritmo mon\u00f3tono e o car\u00e1cter repetitivo de frases e temas. \u201cO canto do galo\u201d, \u00e9 unha canci\u00f3n que pretende dar a visi\u00f3n humor\u00edstica dun aquelarre. O propio texto \u00e9 bastante singular, sendo a propia m\u00fasica pouco complexa. O piano non ofrece grandes dificultades, pero debe traducir as enxe\u00f1osas harmon\u00edas., que dan un certo sentido de malignidad, un pouco sarc\u00e1stico. \u201cPastoral\u201d, sobre un poema propio, goza dunha expresi\u00f3n sinxela. Consta de d\u00faas estrofas de seis versos cada unha, pero dunha distribuci\u00f3n peculiar. \u201cAs lavaderitas\u201d \u00e9 unha canci\u00f3n infantil que como outras, quedou \u00e1 marxe da s\u00faa catalogaci\u00f3n.<\/p>\n

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\u201cRosa de abril\u201d, unha das m\u00e1is divulgadas, \u00e9 obra p\u00f3stuma e apr\u00e9cialla pola s\u00faa delicadeza expresiva e pola sinxeleza estrutural, que nos traslada \u00e1s primeiras canci\u00f3ns. A s\u00faa beleza, propiciou abundantes arranxos camer\u00edsticos, tanto para viol\u00edn e piano como para chelo e piano; tam\u00e9n hai unha versi\u00f3n para piano a catro mans, da que foron art\u00edfices Jos\u00e9 Manuel Y\u00e1\u00f1ez e Genaro Fern\u00e1ndez. A \u201cCanci\u00f3n de primavera\u201d, \u00e9 m\u00e1is complexa na s\u00faa li\u00f1a de canto do que nun principio parece porque debe encartarse \u00e1 mobilidade do metro e tam\u00e9n debe responder \u00e1 tonalidade fluctuante. \u201cAi,o meu amor!\u201d, resulta un aire de \u201c Allegretto\u201d de m\u00fasica graciosa cun ritmo sempre ben marcado, moi apropiado para o texto.<\/p>\n<\/p><\/div>\n<\/p><\/div>\n

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LER A NOVA <\/a><\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n

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Acto de presentaci\u00f3n dedicado ao compositor Andr\u00e9s Gaos, cunha recepci\u00f3n na aula 12, da \u201c Facultade de Xeograf\u00eda e Historia\u201d-19.30- antes do concerto que poderemos seguir no Paraninfo d\u00e1 Universidade, dedicado \u00e1s canci\u00f3ns de Andr\u00e9s Gaos, das que ser\u00e1n int\u00e9rpretes a mezzo Iria Cuevas, acompa\u00f1ada polo pianista Afasto Amoedo.   Iria obtivo o T\u00edtulo Superior … Ler m\u00e1is<\/a><\/p>\n","protected":false},"author":1,"featured_media":6434,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[154],"tags":[],"class_list":["post-5242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fondo-andres-gaos-usc"],"acf":[],"yoast_head":"\nA mezzo Iria Cuevas co pianista Alejo Amoedo, no \u201cAno Gaos\u201d - Organistrum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/grupo-organistrum.com\/gl\/a-mezzo-iria-cuevas-co-pianista-alejo-amoedo-no-ano-gaos\/\" \/>\n<meta property=\"og:locale\" content=\"gl_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A mezzo Iria Cuevas co pianista Alejo Amoedo, no \u201cAno Gaos\u201d - Organistrum\" \/>\n<meta property=\"og:description\" content=\"Acto de presentaci\u00f3n dedicado ao compositor Andr\u00e9s Gaos, cunha recepci\u00f3n na aula 12, da \u201c Facultade de Xeograf\u00eda e Historia\u201d-19.30- antes do concerto que poderemos seguir no Paraninfo d\u00e1 Universidade, dedicado \u00e1s canci\u00f3ns de Andr\u00e9s Gaos, das que ser\u00e1n int\u00e9rpretes a mezzo Iria Cuevas, acompa\u00f1ada polo pianista Afasto Amoedo.   Iria obtivo o T\u00edtulo Superior ... 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